MORE SHERBERT from SUN ARAW

photo: William Eggleston

MORE SHERBERT from SUN ARAW
"in the MELTED CORNERS" for DOMINO RADIO

DOWNROAD HERE!

1. Sun Goddess - Ramsey Lewis, Sun Goddess (1974)
2. Islands in Space - Lightdreams, Islands in Space (1981)
3. The New Atom Mine - David Thomas and the Pedestrians, The Sound of the Sand (1981)
4. Physical Love - Eddie Hazel, Game, Dames, and Guitar Thangs (1977)
5. A Little Something - Slapp Happy, Acnalbasac Noom (1982)
6. Like Flies on Sherbert - Alex Chilton, Like Flies on Sherbert (1979)
7. Concentrate - The Gaturs feat. Willie Tee, Wasted (1970)
8. Think Twice - Pete Rock - Hip Hop Underground Soul Classics (1995)
9. What's a Telephone Bill? - Bootsy Collins, Ah... The Name is Bootsy, Baby! (1977)

Sun Araw plays Neil Young

by Team G

Matthew Lessner‘s debut feature “The Woods" Teaser Two
Official Selection of the 2011 Sundance Film Festival
Greencard Pictures, Team G and Monte Lomax
© 2011 Monte Lomax
“The Woods” soundtrack features Dirty Projectors, Sun Araw, Lucky Dragons, Indian Jewelry, Ananda Shankar.


Sun Araw - Thrasher (Neil Young cover)

He (Matthew Lessner) asked me (Sun Araw) to record a cover for the film, and so here is a cover of Neil Young's "Thrasher."

ianpaper

Sun Araw "Barstool Blues" (Live)
Live in Madrid, July 2th 2009. This is a Neil Young cover

Sun Araw and Sohni Chambers

Sun Araw - Last Chants

Sun Araw is known as the solo project of Long Beach psychonauts Magic Lantern’s guitarist Cameron Stallones (also a member of Pocahaunted).  'Last Chants' is taken from its new "Off Duty + Boat Trip" CD/12" via Woodsist.  CD/Digital includes 2008's "Boat Trip" EP.  Mastered by M. Geddes Gengras (of Robedoor/pocahaunted).

Sohni Chambers - 2:47pm

Sohni Chambers is a side project of Cameron Stallones with Sun Araw collaborator Nick Malkin (of Queen Victoria) '2:47pm' is taken from "Yaw-Mah-Ha," out now on Goaty Tape.

"Ya they might induce the sort of meditation we’ve come to expect from Stallones and his cohorts, but the genuine focus of these works lies in a sort of fetishized materiality: it’s just a Galaxie 8180 electronic organ and a five-piece drumset—odd timbres, distortions, broken keys, buzzing echoes and all. A dialogue vocal howls that flits in and out concretizes the intimacy of this musical space; while Stallones and Malkin are indeed wizards of levitated, shamanistic, and disembodied musical realities, here we see them straight on; two bros just letting shit out, warts and all."  (Goaty Tape)